January 28, 2015

Tom Thumb + Voices



The tiny bubbles have just started to form on the edges of the pot when the front door opened wide enough, and long enough that I can feel the chill blow down the hall and join me in the living room.

“Mom! Hey mom! Can Sam stay for dinner?”

“Do you remember that we’re cooking for Grandma tonight?” I despise speaking with a forked tongue, but in this age of dietary restrictions one can’t always be direct and sensitive at the same time. And I know my boy knows I’ve been working too hard on Grandma’s meal to cook-up a second for some greens eatin’ rabbit.

“Oh, right,” he calls back.

Over the sound of their snow boots falling to the floor I hear my son speaking quietly to his friend, “Sam, your family eats meat right?”

I can’t hear Sam’s reply, and after a moment my son says, “What about pork?”

The bubbles release from the sides of the pot and it starts giving off a barely perceptible hiss.

I hear my Nana’s voice, “Quit fussing with that Debbie, what have I told you about a watched pot?”

Jimmy and his friend Sam come into the living room.

“Mom, this is Sam.”

“Evening ma’am.”

“Evening Sam, and Debra’s fine.”

Sam held his hands out to the wood stove and rubbed them together as he looked around at all the candles and up at the light fixtures. “Power out?”

“No Sam. When we cook for Grandma, we turn off the lights and cook on the old wood stove.”

“Won’t she have trouble seeing?”

“She passed about ten years ago. Jimmy, will you and Sam set the dining room table before you go off to play?”

When I look back to the pot the water is truly boiling now. Grandma’s right again. Never seems to a boil while I’m watching it. As I slip the Tom Thumbs into the pot, I’m relieved that the house is dim and Sam hadn’t noticed the bowl by his feet. After seeing them he might have changed his mind about being vegetarian. The Tom Thumb sausages are stuffed into the large intestine instead of the small, and they bulge unpleasantly like some desiccated organ, which I supposes is exactly what they are. Meat stuffed into an organ, dry cured and covered in white, powdery mold. It’s food from back when food grew in your yard. Back when food needed washing, grinding, canning, slaughtering and butchering.

When the boys come back down stairs it’s because they are drawn here by the smell and sizzle of the sliced Tom Thumbs frying in butter. They momentarily forget how not-cool it is to hang out with one’s mom and laze about the room like hungry coyotes. I’ve already played the set-the-table card to get them out from underfoot so I can finish this meditation in peace. Transferring the pan of fried Tom Thumbs to the serving platter and dropping new slabs into the smoking butter, I’m reminded of the first year I tried this; I let the woodstove get too hot and the butter flashed in the pan.

My Iphone timer goes off in my pocket. The electronic noise is jarring and cuts through the quiet candlelit house like bullets. With a smoking pan in one hand, a metal spatula in the other, and two able-bodied boys lounging within reach, I say, “Jimmy, your father will be home any minute. Will you light the candles on the table?

“Not you Sam. You’re going to grab those oven mitts and take out the cornbread.”

The mitts he figures out, but the latch on the oven door has him stymied, and he almost opens the firebox door. Finally he figures it out and a cloud of steam smelling of cornbread wafts upward, mingling with the smoky butter, and fried meat. I lift the lid off the Dutch oven and the amazing smell of roasted rosemary potatoes mixes with the others, and completes the spell. A kind of olfactory sorcery which breaks down the walls between here and yesteryear, and she’s alive and with us again. 
Now I’m the one being asked to set the table and light the candles. My little brother drags Nana’s chair in from the other room and sets it in the guest of honor spot at my parent’s long banquet table. Mom and Dad sit at either end and though they are the farthest apart my Dad makes eyes at her that makes her blush.

I never thought of it before, but something about the strength of the gastronomic alchemy this year has cleared up the memory: Sitting beside Nana’s empty chair is Mom’s father, and when it’s time to say prayer, instead of linking hands with the rest of us, Pappy grips the dark wooden armrest of that antique chair.  It occurs to me that this tradition isn’t about doing something because it’s what my mom did and it helps me remember her; it’s about cooking all the mothers and grandmothers back to life.

The End

A note: This story was suggested by the same woman who suggested Vascular Dementia + Horny Toad in a Shoebox, and I’ll admit it had me good and stumped, until I asked her what the inspiration was and she said this:
“Food is a vehicle for voices of the past.  Food is a way to see how life was lived and what was normal.  Do we hold onto tom thumb because it's family, tradition, and how that makes us feel - safe and belonging?  Or do we move on and speak with a new voice carried on by a different home cooked dish?  Is this a conscious question?  Or does the taste buds decide?  If I was a parent, what would I decide to serve my family?”
THAT sparked my imagination like I’d had a gas leak while I was away on vacation. Thanks for the suggestions, and keep them coming!
~Tyler

January 21, 2015

You Won’t Believe This Weird Old Trick to Stay Looking Forever Young

1. Commission a realist painter to paint your portrait.

Any painter will do, but the closer the likeness to you the more you will undoubtedly get away with. No need to do silly superstitious things like mixing your bodily fluids into the paint. This will only ensure that the old fortuneteller’s reading will follow your painting through history ala The Red Violin (nice, super current pop culture reference!).

2. Sell your soul to the Devil.

This is very important: do not skimp on any ol’ devil or demon. Not just any old Ba’al or Azazel will do, and I know Diablo had gotten a lot of play recently with the video game, and sure that big rack of horns is impressive and all, but don’t be fooled by those lesser evils; Ask for the big S himself and don’t be surprised when he looks like Pacino. (Part of Pacino’s pact with the prime evil was that he would become as handsome as Satan himself.)

Also, for Christ’s sake, don’t go to Death. He can’t do magic, he can just barter for your soul and that ma’fucker is good at chess. Like, playing-against-the-computer-on-hard-mode good.

3. Put the painting somewhere safe.

This is very serious, and in many ways the hardest step. Remember you've switched fates with the painting: As it gets old you remain immortalized in the time when it was painted. Don’t get smart and hired the painter to paint a younger version of you, it won't work. If the painting doesn't look exactly like you, your idiot soul won’t be fooled when the Devil does the switcheroo.

Take some time now and try to think where it would be safe. NO! Don’t mount it above your mantle, there’s a fire right beneath it! Seriously you have to think these things through. No, not in the attic. Just imagine what might happen as bugs and/or mice started to eat the delicious crusty old oil. Ooh, one of those climate controlled storage facilities. You’re on the right track, but still no. Say you get this thing painted in 2014 and in a hundred years from now the great-great-great grandchildren of the storage facility look at their records and see that you’ve been a faithful customer for the last 100 years. You can’t leave a paper trail of proof.

I’ll give you a hint. Where could you put it that is climate controlled, has some of the best security available, and will pay YOU to store it there? If you answered an art museum you’re correct. Also, you have to make sure the painting has some innocuous name that doesn’t mention you, or the age of the person. No "Tyler smoking a pipe," or "Handsome young man," or "Prince Charming," these kinds of names will only arouse investigation as it ages.

The only catch is that you have to live well. If over the course of a year the painting starts to look all bloated and fat cause you decided to start living off bacon donuts, and nacho cheese fries, or worse all skeletal with sunken eyes and black veins, the staff is going to suspect that the original was stolen.

If at any time you get tired of living forever don’t come complaining to me, just sneak into the museum and stab it with a knife. The painting will be fine and no one will ever know who that old guy is or who or why someone decided to stab him at The Met.

Special thanks to the Metropolitan Museum of Art for acquiring and keeping this painting safe all these years.


Sources:
The Picture of Dorian Gray, by Oscar Wilde

“Self Portrait”, by Gustave Courbet

January 14, 2015

Short on time again...

So I was at the dentist this morning getting a big old ray gun pointed at my face (x-rays), and not writing an update for the blog. Sorry I didn't plan ahead y'all. But just as a teaser, I got two motive suggestions which I've been wrestling with:

Tom Thumb (the food) + Voices

I'm stumped on that one, no pun intended... wait 'stumped' is more of something one does to one's toe not thumb... no that's stubbed... so I guess that pun was neither intended nor executed. So this whole week is just a big fail.

See you next time!

January 7, 2015

Holographic + Grandmothers

I want to coin a term.  I think that’s all that’s required. I just say those magic words and it belongs to me, right? I don’t need to find some printing press to mint it for me or anything, do I? I’m pretty sure that’s legally ironclad.  Anyway I want to coin the term “idea length”.  I googled it and all I could find were typos where people meant “ideal length”, as in what’s the ideal length of pier I should choose if I want to take a long walk?

Idea length is basically an intuitive gauge of how long an idea will remaining interesting. There are four standard units for measuring idea length: chapters, paragraphs, sentences, and bumper stickers. Axiomatically, a deci-sticker length idea would be worth one tenth of a bumper sticker:

Whales! 

'Nuff said. 

Conversely, a mega-chapter idea would need hundreds of books to contain it. This doesn’t mean that ideas can’t or don’t get stretched or compressed beyond their natural resting length, after all it’s possible to slow the speed of light, or indefinitely stretch the length of time between meals by sustaining yourself on Slim Jims, it’s just not the best idea to do so.

This concept of ideal length (Il in SI units), is a filter which I run motif combinations through while I make up my RFF story each week. And now I feel torn. I want to please my imaginary audience with a story about the Hecto-Granny, but my intuition is telling me that the idea is barely 4 paragraphs long. I don’t want to make my audience sick from a diet of literary Slim Jims, but it’s also kind of what RFF is here for. To fail, and to do so gloriously!
So here you go, this fanfic is for the fans!


Holographic + Grandmothers
1
It could have been worse. She could have been surrounded by fluorescent lights and separated from strangers by a thin curtain. She could have been knocked out on painkillers and blissfully distant, carried away from us on slowly receding tide of sedatives. She was in pain, than wasn’t ideal, but she wanted to be present and so she was.
My younger sister stepped back from her bedside and it was my turn. It’s my turn. My turn to say goodbye. Friends and acquaintances had always found it peculiar how close we were to Gran, but we would brush aside their comments as jealousy. They didn’t know what they were missing; Gran was sunshine and warm cookies. No matter your problem, as small as a sidewalk scrape or as heart-wrenching as getting dumped for the first time. I don’t even think she could be negative, even on her deathbed she was talking about what a blessing it was to be in her own bed, in her own house. It was clear that each rattling breath was sharp and exhausting, yet she moved through the pain and spoke softly to each of us. I couldn’t hear the words, but no one came away with dry eyes.
It’s my turn.
I leaned in to kiss her on her cheek; barely warm and impossibly soft. Planting it carefully among the thin white hairs on her face. Her face barely moved but tired muscles couldn’t hold back the smile that poured from her eyes.
“I know you…” she whispered.
            “It’s me, Gran, it’s Jeremy.”
            “Oh, Jeremy. You look so sad.” She took forever to catch her breath but I could tell there was something else she wanted to say. “You’re going to be just fine.”
            Even in her dying moments she was trying to comfort me. Not in an annoying “I’ve got to fix it” kind of way, but selflessly, unconditionally radiating love and attention.
            “I love you Gran, I’m going to miss you.”

2
“Life is too big to ever regret a thing. You can do anything you want as long as you let yourself fail enough times.”
“Jeremy?”
“That was beautiful Gladys, but you’re with us now.”
“What? No. No hospitals!”
“Oh sweetie, do you feel like you are in a hospital?”
“No. I feel light, like I could dance,” she didn’t mean some ol’timey two-step, she felt like she could dance the way a child dances, and they both knew exactly what she meant.
“That’s because you are, Gladys. Light I mean.”
“Is this the part where my life flashes before my eyes?”
An initial burst of information hit her like a quantum of knowledge cold fusing and becoming part of her. It was the whole of human knowledge with a yet to be discovered secrets thrown in for spice. “Wow, did you do that?”
“No. You’ve just has your first nano-second conversation with what you would God.”
“Is this heaven?”
A second quantum collided with her sending off a shower of Higgs-Boson sparks. She understood. This wasn’t heaven. After one’s physical life ended an energetic life began. In 99.9999% of cases the energy shed its human consciousness in the first million millionths of a second. But in her case she was being invited into the collective consciousness of a higher being known only to itself and the thing they once called God. Gladys took her singular place among the five dimensions of space, time, and sweetness.

3
With the box of personal knickknacks and photographs tucked under his arm. Jeremy hit the elevator button for the ground floor. As the doors closed he had the momentary thought that he would go to see Gran, She will help— and then he remembered and starting missing her all over again.
“Gran, this was my dream job.” He held back his tears to preserve his dignity, but the thought kept repeating.
On the way to his car: This was my dream job. What do I do now?
On the empty parkway as he drove home: This was my dream job. Now what?
As he unlocked the door to his apartment and pushed aside the mail that had fallen through the slot and piled up behind the door: That job was everything I have been working toward.
Slumping down on the old yellow couch from Gran’s house, he released his grip on the tears he’d been holding back, but no tears came. Instead a thought occurred to him, and heard himself say out loud, “Life is too big to ever regret a thing. You can do anything you want as long as you let yourself fail enough times.”

He said it again and realized he was working the right job, but for the wrong company.